Baby Shower Recipe Card Sayings

Week 49: Hearts, Diamonds, Clubs and Spades!

... This week we take off our playing cards! Usiamone colors, red and black, its symbols, hearts, flowers, almost always present in our creations, and let's make something original!

Here are our interpretations, a mini album:

.. and a page of the Art-Journal:

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Week 48: Winner / Winner!

have a "real" bust in the house is a dream shared by many, is not it? It 'been a source of inspiration for many! Here are some of your interpretations

order: Chiara_Francy , Illy and Hazel .

And for the "Blessed are the last who will be the first" ... the winner is ................. SANDRA !!!!!!! This is its interpretation:

Thanks to all for participating!

Beata Piątkowska Gliwice

June 24: Eero Saarinen

Eero Saarinen, a pragmatic FULL OF DREAMS
The cycle of events dedicated to cinema-architecture combination continues at the center of the conference Thursday, June 24, Eero Saarinen, with brilliant and enigmatic figure in architecture and design of the first half of twentieth century.
Son of Eliel Saarinen, the famous architect called in 1925 to design the Cranbrook Institute of Campus Architetcure and Design, Eero Saarinen was born in Finland in 1919, but soon moved to the U.S. where he remained until his death in 1961. Currently considered one of the members of the group of architects of the second generation of modernists, Saarinen, the architect explains Massimo Imparato, "has been marginalized for too long by international critics for his premature death, which occurred just fifty years, both in As elusive figure, unwilling to follow consistent patterns and led to the development projects always very different, where it is difficult to trace a strong and constant. The videos presented by the architect
Leary, one of leading scholars of the figure of Saarinen are the result of two different contexts: the first video documentary was created as complementary to the itinerant exhibition "Shaping the future", retrospective of the Finnish architect, opened in Helsinki in 2007, then to Oslo spostatasi , Brussels, Detroit, Washington, DC, Minneapolis, St. Louis and New York, and ended in New Haven, Connecticut, in 2010. The documentary highlights many professional aspects, but especially the human side and deeply sensitive Eero Saarinen.

The second video "The modern dream trilogy" examines, with the help of archive images and unpublished contributions, different trends which have driven the architectural research in the United States in the late '40s and early '70s: the movie is divided into three sections, which correspond to the distinctive features of modernity embodied in three great architects: "The imagination of modernity: Eero Saarinen "" The essence of modernity: L. Mies Van Der Rohe, "and" The newspaper of modernity: Marcel Breuer. "
architecture, space, man, are the main topics on which he loved to dwell Saarinen, and more emerge from the movies: "Architecture is the set of what surrounds us," said "Is the physical space that surrounds the man." And at the center of reflection, man, because, "that is based on the individual is our success" and, of course, architecture, enriched by Saarinen, a sacred value, almost mystical: "The architect must have a religious role: as religion instills hope, so the architect must strengthen confidence in the nobility of human existence. "
architecture, that of Eero Saarinen, as concluded Massimo Imparato, turns out to be, for our contemporary world, "a real lesson in pragmatism full dreams and confidence. "

To see the complete video of the evening, go to the following link:
http://www.youtube.com/user/ Ordinevarese

Bd-mlt Uj-210s Driver

13 - New guests

Kerter greeted the guests as she used to whenever, forever.

"Welcome to Eclipse , sir." He said, as he looked through all'ultroloth turned amber eyes filled with every kind of perversion. Syojatar was wrapped in bright emerald green dress with gold edging ricamante and ivory buttons. Ivory obtained by humanoid beings, probably, and certainly after torturing them to death. But what to Kerter was inhumane to Wodan was only a vision of the multiverse, and planeswalker plane had quickly learned to put aside their thoughts about the guests of the deity who ruled Eclipse. The head bald and slippery with Syojatar slid off the hood, behind him two mighty canoloth they made their way whipping the air with their tongues bristling with bone spurs.

"It may bring his entourage with her, if you like, but make sure you do not create disorder. The cosmolabio is a place of silence and observation, and Wodan not tolerate disorder. "

The ultroloth issued a series of guttural grunts interspersed with breaks strident Kerter deduced that she was laughing. Regardless of the half-elf, advanced cosmolabio entering the room where he had audience with Wodan. The two guards followed him drooling demons to the ground and scratching their nails with the marble floor. Kerter made a face, wiped the glasses and returned to his desk.

"We need more ink, Algernon." He said, before sitting at his desk. The room was lit by the pale, perpetual, swirling light that penetrated through the windows, that of the ethereal plane, which was size of transition between the universes elemental and the material world. From that window you could see only fog, an immense panorama gray blur fickle winds. Algernon fluttered around the room, then rested on the back of the chair in front of Kerter and handed her the bottle of ink. "I fear that events are accelerating their progress. - He confessed the half-elf. - Wodan Nor can turn his eyes everywhere ... and it is not his intention to resolve things. He prefers ... study them. "stroked magic dragon.

"They managed to get back to Maridi. - Algernon asserted. - The Cathedral of Blackmoore is still intact. All'hatuli waived. The fates do not weave their threads at random, the lives thrown in the multiverse are intertwined in unpredictable ways, and the consequences of each choice affects the entire wheel of the worlds. "The dragon wanted to turn glimmers of hope in the eyes of his mistress, Kerter but was too absorbed in thought. He sat deviate his companion, who slipped on the table and then jumped on the windowsill.

"The sum of the forces that moves to spread chaos in the multiverse, this time is much higher than what would stop any change. And who among us can say what is right? Life is neither order nor chaos, Wodan does not want this to stand up. "He finished the half-elf. And at that moment someone knocked at the door. Without waiting for an answer, it opened and appeared above the threshold of a bariaur guarding the perimeter of Eclipse.

"What's happening?" Kerter asked, annoyed by the interruption and the lack of manners of these beings.

'new guests, ladies. They were drifting a few meters from Eclipse, it was collected spelljammer a ship but the captain would like to see there we took care. "

Kerter rested the pen on the desk again. This time she could not even dip it in ink. He wondered if his research into the nature of the multiverse, they were really making processes, serving at the court of Wodan. "I'll be right." He said. The door closed. Algernon sighed.

Weekly Certification Questions Nc

"Building the Gherkin"

Building the Gherkin ... great
Everyone now call it the "Gherkin", "cucumber" and is one of the tallest skyscrapers in Europe, one of the most impressive and also most criticized the last ten years: the building at 30 St. Mary Axe, Swiss Re headquarters in London, is the protagonist of the video shown Thursday, June 17th Order of Architects Varese for the series of events dedicated to "Cinema & Architecture."
"Building the Gherkin", the title of the film, makes the perfect subject covered in the video, which is the long process of construction of the impressive work of Norman Foster, from its conception to its completion, with all the problems and vicissitudes that have accompanied its construction.

The film highlights the first to launch fierce criticism draft Foster, criticism of the shape of the building, too allusive and unorthodox but also the very idea of \u200b\u200ba palace built too close to a bomb on the building site of the former Baltic Exchange, severely damaged by an attack your IRA in 1992.
to these arguments, adding that the decision to start work just one month after the attack on the Twin Towers in New York.
addition to the many questions that have marked the start of work, in the documentary are also highlighted important issues, sometimes overlooked by those unfamiliar with closely step involving the construction of a building of this scale: a of these is the relationship between architects and clients-in this case, the Swiss Re-judged, in the film as a sort of "devil's advocate", who constantly challenge the look and shape of the project with its functionality.
then stand out in the video, the problems that accompany the evolution of construction, the stress load of project managers, the skill of the workers and those who worked tirelessly for months on site, and, finally, the enormous satisfaction el ' emotion of architects, engineers, contractors made to see a true architectural wonder.

The creator of the impressive skyscrapers, Norman Foster, one of the greatest architects of contemporary is, in fact, able to work on the "compression of space and its expansion in the vertical," as explained in the introduction of the film, the architect George Goff.
Thanks to a special system of air recirculation, the building consumes half of what is consumed in a building the same size.
As stated in the same film Foster, the great Gherkin plays a fundamental role in the history of contemporary architecture, "he has taken part in the process of regeneration of the city of London," despite all the criticism, despite everything.

to see the full version of the video, go to the following link:

http://www.youtube.com/user/Ordinevarese #

Bleeding Again 5 Days After Implantation Bleed

GIANCARLO DE CARLO, June 10, 2010

responsibility to citizen

Three videos have been screened in the evening dedicated to the third meeting of the series "Cinema and Architecture," for better definition of the three documentaries a great figure, a complex and multifaceted personality, the intellectual architect Giancarlo De Carlo .
The speakers of the evening, Monica and Antonio Troisi Mazzolani have decided to rely directly and completely the video because, as you said the same Mazzolani Monica, "said De Carlo is very complicated," and the best thing is to give voice to the great architect, directly. In fact, constant, documentaries, is the presence of De Carlo who speaks and explains the ups and downs that have accompanied him in his architectural research, through the long excursus of his career.

And so, in the first, in an 'interview at the Beaubourg, De Carlo tells his origins, childhood spent in Genoa, the youth in Tunis on his return to Italy in 1937 and the choice to perform a specific job in a tragic period, that of war. In the video De Carlo continued with the report of the forties which date back to the first contacts with Milan anti-fascism, enrollment at the Polytechnic of Milan, the Navy and, after the war, membership of groups of anarchists and Berneri Zechariah and Woodcock , Read, Richards. Here are the stories about the fifties in which De Carlo began her professional career and his long relationship with Carlo Bo and the city of Urbino and fits into the group of "Friends of Bocca di Magra (Vittorio Sereni, Giovanni Pinto, Giulio Einaudi, Marguerite Duras, Franco Fortini, Albe Steiner, Elio Vittorini, who is writing "The cities of the world," writes Italo Calvino "Invisible Cities"). The video continues with an overview of explanations about the architect of its major architectural works completed in Urbino, the Faculty of Education (1968-76), the faculty of Economics (1986-89), the residences of the University.

In the second video, De Carlo's attention turns to the enunciation of his vision of architecture, linked to deep love for this craft, which he considers "a job like any other, but that it must necessarily correspond to the ideas, the needs of people who use it. " On that approach, the importance that De Carlo relies on citizen participation the process of creating of civil architecture, as revealed plans for the restructuring of the city of Terni, for which De Carlo decided to engage directly with the workers and those for the construction of affordable housing Mazzorbo, where the fishermen were interviewed , listening to their needs and their needs. After describing several other projects including the hospital in Mirano, the Faculty of Letters of Catania, the promenade of Lido di Venezia, in the video De Carlo says that the architect's role is "to create communication between people" and, in referring to the project on the restructuring of a district of Beirut, appeals to the need to look at architecture multiforme, in view of an increasingly multi-ethnic.

The third and last video, a short film created by De Carlo for the Triennial of 1954, deals with ironic and provocative, the theme of the condition of public space and problems with which daily faces. With this video, De Carlo, wanted to launch a kind of appeal to the people, inviting them to move to change and improve the city.
Giancarlo De Carlo, then looks at architecture as a social fact, which is certainly the responsibility of the architect, but also and above all, citizen at the center of architectural debate. And on the architectural debate De Carlo has high hopes: "architecture," he says, "can make kites that are reference points to create images, ideas and future."
A future more livable and scope of human needs.

to see the full version of the video of the evening, go to the following link: http://www.youtube.com/user/Ordinevarese