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Week 58: Feather & Bird!

And this week faccciamo "fly" our imagination! We use real feathers, fake birds, cages, something light!

Our interpretations

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23 - The jagged realm

Wodan rotated until the cosmolabio from the bowels of the huge tangle of metal ball bearings and toothed wheels did not emerge the architecture of the ethereal plane. He watched the elemental planes vortex scattering bits of matter in the fog, while the radiation of the two opposing energy plans sewed those pieces to form half-planes of all sorts, which slowly disappeared in the milky haze.

" Maelost , the jagged realm ... the realm of black ... - Muttered. - Generated thousands of years ago from the mind of an ambitious group of shadows. " Kerter lowered his head for a few seconds. Wodan had increased its dimensions become nearly ten meters high. The head of the deity with long silver hair brushed the domed ceiling of the hall of cosmolabio, but that will Wodan could easily manipulate the whole approach, looking at every moment anything that happened in the multiverse. The planar traveler took off his glasses and polished them with a strip of the jacket, then returned to rest the lens on its pointed ears. "Why is it important Maelost, sir?" Churches. In the hand holding one of the many evolution planar volumes that were carefully preserved in the library of Eclipse. He had tried for a few hours to make sense of the presence of a group of adventurers on that half of the table, but no confluence of events had produced results that would help to have an answer.

"Why is not the answer, little mortal. - Answered Wodan, who by then had them read the thought - Maelost is only one step, and the stairs leading to the release of Shannok is still long and winding. The fate of many mortals weave trying to make sense of and explanation for these events, but most of your minds is only capable of depleting the moltezza that artificial reduction of the roads really possible. "With a stroke of his hand, shook his Wodan metallic structure of cosmolabio, which leaped and spun with creaking under each of the rings and bearings that composed it. Maelost appeared in front of his nose, emerging from the clouds ethereal. One button power black globe, surrounded by lightning, rain and darkness.

"Creatures of Valgoss Maelost will be a valuable ally - went on the power - but it is still difficult to predict how they will affect their fate in the plots of the order, even for a goddess like me. Probably other immortals are involved, and their peer interfere with ours. This affair threatens to shake the big wheel from its very roots, and although no god directly interfere with what happens, you probably have many interests that the future instead of taking a path another one. "Wodan's fingers grabbed the ball maelost. The god closed her eyes. They came into his mind the image of Abraxas and Celeborn who survived the crash with a fierce Slayith , leaving the body in the cave of another wanderer glide. Then she came to the village of Aml , where they were mistaken for divine emissaries. The chief of the tribe, the shaman Zephiel , and his son Rather, invited them to help one of their men, Brindel, to overcome the ritual to become Guest. A new ally joined them, a half-orc cleric motivated by noble intentions. Zephiel said that only the host, an oracle in communion with the god of the worms, could answer their questions on the shadow of iron, which apparently was spreading even to the realm of jagged. Wodan saw them walk into a cognate of the beholder revived by a pillar of energy necrotic wound, save and retrieve the scepter of Brindel Valgoss, the artifact through which you can melt your body with that of worms Maelost. Abraxas we failed, capturing the thoughts of the worms had come into possession of all the information that they had collected Valgoss the shadow of iron. "It moves creeping from floor to floor, as if longing to expand." Wodan commented. The half-elf wrote down everything in a notebook. "Sir, do you think they will find a way to stop it?" Asked Kerter. "The way is already there. These mortals are not the only ones who are moving to prevent the shadow of iron devour every ambition in the external plans. "

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LUCA MOLINARI

The future in our present
artistic frame for a conference on architecture, the Museum of Contemporary Art Maga , Tuesday 16 November hosted a large group of architects and interested, I ran as a de Magri to listen to the curator of the Italian Pavilion of the 12th Biennial Venice Architecture: Luca Molinari.
In exactly one hour, the young architect has captured the attention of those present, explaining all the salient points of his plan, called staging, idea-generating the final message.
The conference opened with a clarification on the name first coined by curator of the pavilion, " Ailati " derived from reading, on the contrary, the word "Italy", this term encompasses the idea of \u200b\u200bgiving brief, contemporary architecture, a new reading, watching through an original look, side-to side, just to catch with more rigor- wisdom and reflections from the future that reality sends us.
The speech is then moved on'' construction, designed in harmony with the basic concept of the exhibition, that is the representation of past, present and future of Italian architecture.
"For the creation was not touched any wall," says Molinari, "and has been used only a material, megapan, all for dell'allestimento zero impact on the viewer and to allow people to move easily and to come together. "
Molinari then continued with a clear statement of his curatorial concept, born of a precise account of Italian architecture, which "suffers from a strong amnesia of the present, along with a great fear of the future."

From this reflection comes the division of the hall into three sections.
The first " Amnesia in the present. Italy 1990-2010" is a budget Italian architecture of the last two decades designed to offer an understanding of our present more careful and conscientious, a report obtained through interviews and 450 images.
The middle section of the exhibition, "Laboratory Italy" is dedicated to the present with works made in recent years for a glimpse of what real quality is built in Italy and the types of experiments being carried out . The works are divided into 10 subject areas for a country in search of new identities and solutions: Designing supportive residential below 1000 € per square meter, what to do with seized property from the mafia, Emergency landscape spaces for communities, new public spaces, Rethinking city, Archetype / prototype, Work in progress, clutches.
" Italy 2050, the third and final part of the exhibition is a dialogue with Wired, the respected Italian magazine devoted to big ideas and technologies that change the world for this section have been questioned 14 people, amongst scientists, thinkers, film makers, the fate of "producers of the future" that brought the keywords for the next decades of our country, then visually interpreted by many designers. in almost t'ultima section, arranged in a plane elevated above the floor of the Hall and connected to it through several ramps (one for each theme), are universal themes emerged that led architects to deal with elements involving all of humanity.
"With this project," says Molinari, "I suggested some ideas and send out signals to reflect on the past, to show the world that Italy will make things interesting and to allow architects to rediscover the joy of experimentation. In Italy Needless to things that are still there and the future, after all, is built from the present. "

to see the full version of the video, via the following link: http://www.youtube.com/user/Ordinevarese?feature=mhum

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MAGA TO TRAVEL IN TUSCANY

MAREMMA
(Diary of a study trip in the new land projects wine)
The journey is the shorter. The theme of the goal, winning even if a bit 'underestimated by most, but worth a little sacrifice to see and touch the wine last structures built by some of the so-called "superstars" of the moment in the best period of postvendemmia. It is not easy
venture with a large and modern buses in the winding streets of the Maremma, but for this research first, and then the location of the various works becomes enthusiasm and pleasure. Before our eyes, we are gradually succeeding images of daring achievements, respect, different from one another by shape, style and economic engagement.
This short travelogue describing them so briefly, but perhaps part.
Friday, October 22, late morning. We arrived late around Bolgheri (place of memory Carducci) Ca Marcanda company owned by Gaia Piedmont and designed by Bo. Large complex and carefully camouflaged in full respect of the Tuscan landscape. Almost entirely filled and covered with natural grass, trees and local species. The good part is proposed in the emerging local stone and the loading and unloading area is protected by a complex canopy of iron and copper. Art and architecture merge into a site with a sense of balance between productivity and the environment. ( Camouflage )
After tasting duties and welcome greetings Angelo Gaia, we head Suvereto, reaching Cellars Petra (architect Botta ) in a late afternoon light and temperature ideals. The structure, huge and majestic, there looms wedged between land, vineyards and olive trees. The visit accompanied by a bright and enthusiastic young winemaker. In its complex prefabricated structure (the owner is the prefabrication of Franciacorta Moretti) everything is made with simplicity and grandeur sending strong oni emotional sensations in the gallery of the barrel. We admire the fruit of all this technology and sensitivity. ( Monumental ).
A charming inn in Grosseto, a restful night in a great hotel in the center and we are ready to face a new important day of sightseeing.
The first appointment is at the Company Via Colle Massari Montecucco wine called. Twisted streets, beautiful landscapes, and finally in the distance beyond the 'object' already stored by the magazines. To the surprise awaits us place the designer architect Milesi. His description, accompanying her on the places that he thought confirm its deep knowledge and passion for the job. We follow a carefully guided tour of pure rationalism, premium materials, advanced equipment, respect for nature committed admire a colleague who has found the satisfaction of a correct result of international economic opportunities fostered by the great reviews, the Bertarelli the "Alinghi" (Milesi .. mata )
fascinated by so much passion, comforted by tasting and world class hospitality, we take advantage of and accept the invitation to visit Milesi, unscheduled, its jewel far: The Monastery cirtencense of SCLO. In a remote corner of Maremma, in a dominant position discover, ecstatic, a world of silence, reflection, prayer and work which the skilful hand of the architect is combining with the landscape, environment and history.
The day of visits ended with the arrival, not without some problems roadway, the large complex of Frassinello Rocca di Renzo Piano . The image, from a distance, a red tower and modern re-evaluated as a symbol of presence, a prelude to a strong mark in the architectural landscape of the Maremma. A wall (the fort), a plate (the parade) and the tower, along with a lot of technology systems and structural surround a barrel-shaped theater as much imaginative As impressive, in the sign of true style "Piano". transpires from all major economic power, supported by foreign capital (Rothschild) and the intention expressed to produce wine of high quality and price. ( Majestic )
return in Grosseto to enjoy the beautiful autumn evening and discover a walled town, live as if it were a very popular artificial city. The streets, all pedestrian, the Square, the Cathedral, City Hall, the hotel, facing each other, are concentrated and lived in a simple organism almost drawn from the imagination of a child.
last day in good weather there on a tour of the farm "Pieve old "to Campagnatico . We expect the designer and some representatives of the Order of Grosseto.
emotion of the young designer Sartori Arch (supported in the final phase of work by a qualified Cini Boeri) in presenting his work, reveal a different reality than admired in the days before. The work is more limited budget clearly lower, but all the action is still oriented towards the search for new forms and functions with the typical dynamics of this amazing area of \u200b\u200bMaremma. (Moderate ).
The conclusion at the table at "the inn wisteria" Campagnatico (owned by the consortium Pieve Vecchia Eng. Monks) taught by a talented and charming sommelier, only confirms these feelings in fact the best. Arch
Adriano Veronesi

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Week 57: Red and Purple!

Retro Square Red & Purple - Cuff
Originally uploaded by Triz Designs

A combination of strong colors, fanciful, fashionable, happy! Red and Viola and 'the theme of this week. Let us be inspired!

Here are our interpretations

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Week 56: Winner / Winner

Stamps, drawings, embossing, digital ... have used different techniques to show us your trees, congratulations! Here Examples:

order: Hazel , Jeanette and Sandra .

We decided to reward the original idea of \u200b\u200b Chiara_Francy .

Thanks to all for participating!

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DUTCH STUDY PROJECTS IN ITALY-Part II

Starring the third night of the series "Postcards from the Netherlands, Henk Dutch architects and Ronald Hartzema Schleurholts at the conference described their main projects, with particular emphasis on those made in Italy.
First to tell his story, Henk Hartzema immediately opened the discussion by describing the project in Seregno: it is the market square, for which the Dutch architect wanted to emphasize the concept of emptiness, creating a space that was as open as possible. To achieve this goal, the plaza level has been lowered by 30 cm and reorganized the space around a structure that has no real function, but to emphasize the emptiness around it.
The importance of the urban space has in the career Hartzema fact that enriched his speech addressing three main themes. The roads, first, considered the architect as "the veins of the body city," Hartzema are the element that organizes the space of the city and our perception. Rigorous avenues of Turin, the winding streets of Toledo, until the Dutch, built under sea \u200b\u200blevel and surrounded by greenery, the streets are the elements that more than anything else make up the identity of a city, making it unique and different from others. The road, according to the rapporteur, said the individual's relationship with society: in the Netherlands if the large windows of the houses, often without tents, directly facing the road, what signs of a society very open to the outside, without much fears, in Italy the garden or the entrance that separates the houses from the street reflects an area of \u200b\u200bdefense by the city.
Hatzema's speech concludes with a reflection on the perception of space, for which the architect plays a crucial role: it has the task of giving shape and change the reality that reflect aspects of behavior, feelings and desires of society.
The word then goes on to Ronald Schleurholts, partner, along with two other architects Cepezed, a company that for decades lived in Delft. The architect describes the key points that guide projects Cepezed enclosed, in short, the word sustainability.
For Innovation Zentrum fur Informatik, Berlin, for example, the company has decided to make use of physics to reduce dependency on electricity supply, creating a structure that, like a chimney, allowing cold air to come down and all 'hot air to rise. An element featuring Cepezed is also the renewal of old buildings. One of the most significant, in that sense, the Dutch Embassy in Rome: from a villa of the early twentieth century, the Schleurholts team has developed a restructuring and expansion while taking into account the previous construction, without upsetting radical and conserving the contrary, the elements that could be useful. According to this logic, therefore, the corridors were eliminated for having a central space on each floor, the staircase has been moved from inside to outside to let in more light and has an adjoining building that creates a relationship of harmony, contrast with the existing villa. Compared
for nature, but also respect for the existing architecture: these objectives have always marked the work of Cepezed, careful not to interfere and to respect what already exists, which has a historical, civil, human.

to see the full version of the video, go to the following link: http://www.youtube.com/user/Ordinevarese?feature=mhum

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DUTCH PROJECTS IN ITALY

Interchange
After the introductory evening of October 26, Wednesday, Nov. 3, the speakers Matteo Bettoni, Maurice Nio and Boris are Zeisser entered the heart of the issue that will run all the conferences of the series "Postcards from the Netherlands": job opportunities for the Italian architects in the Netherlands and the Dutch architect's plans in Italy.
Example of young Italian who moved to Holland at the moment, Matteo Bettoni introduced the evening by describing his personal experience and citing numerous young talents who, like him, have had great opportunities in Holland. All this without forgetting the great names of architects who have left important contributions in the Netherlands, as Massimiliano Fuksas, Gio Ponti, Aldo Rossi, Alessandro Mendini and Renzo Piano. "From the Nineties to now we have seen a great exchange between the Netherlands and Italy, "said the young architect, referring in particular to nuerosi young Italians who have had the opportunity to work with OMA, the firm founded by Rem Koolhas: of these, Bettoni cites Mauro Parravicini, Andrea Berti, Maurizio Scarciglia, Cristina Cassandra Murphy, architects born between 1975 and 1980-so-young that previous experience with AOM, were able to get great ideas translated and, in some cases, in practice, the Italian proposal. The same Mateo, Holland has had the opportunity to browse through studies (Group A, Van Egeraat Erc and KCAP) ee is now following a project in Italy for the Milano Fiori area.
From the experiences of Italians in the Netherlands, the evening then turns to projects of the Dutch in the Bel Paese: to start is the architect Maurice Nio, which demonstrates the great extension project for the Museo Pecci in Prato, the competition for the "Door of Milan Malpensa, the project for the station in Orissa. For each project, explains the idea Nio generations, often or taken from the natural world, the problems encountered during construction, the timing too often dilated. Projects that the architect, a priori, considered "missions impossible", but now, as he says, made him very popular, perhaps more than in Italy and the Netherlands.

To conclude the evening is the architect Zeisser outlining an overview of his career, through the plans he made in Sweden, Holland, Thailand and of course in Italy at Monza. For the Italian project, consisting of four residential buildings, Zeisser pours his antics, that is, to re-create natural effects in the architectural details. In this case, the effect is to recreate the fall of the leaves, for which he has faced and overcome many obstacles with the client. "An interesting experience at Monza," says Zeisser, "but very complicated." The fundamental problem, according to the architect, is "r Iusco to relate on a cultural level, with customers and with the team, because if you stay only on u level n Technically, the project is rarely understood. "" If you can engage the customer and explain the history of the project is done, "says the architect," if not the project is reduced to be only a formal, nothing more " . A relationship of love and hate, because of numerous problems, but also great satisfaction, therefore, characterized the experiences of the two Dutch architects in Italy, eseperienze that raise important issues and that will be of great help for those who, in the future as it is will relate with foreign architects.

To see the complete video of the evening, go to the following link
http://www.youtube.com/user/Ordinevarese?feature=mhum

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22 - An old view of the Multiverse

" Kliktrix would help itself now. The queen would be resumed soon, and reconstruction proceeded in spite of the beehive 'shadow iron continue to infect more and more workers. The workforce will become increasingly more. The planar travelers mirmarchi sent back to wherever they came, and then returned to take care of their land. The map of

Ghiaridonna the bariaur who was touted for mirmarca Demansiq and tried to take power in the colony Formiana of Arcadia, a vision appeared to play an ancient and unfamiliar of the multiverse. After having found the body of the impostor, the travelers had planar considered together at the base camp of the guild. The arrangement of the planes, their orientation, the representation ... could be traced back to a planar map 700 years ago. The symbol at the bottom right also seemed to belong to a very old guild, antecendente the same factions of Sigil, also known as: order Shannok . Dusty tomes in the library of planar travelers, despite the huge amount of sources, it was possible to find very little about it. It was a philosophy very similar to the current congregation factions, but with a completely new approach. According to the order of Shannok, the multiverse is not a giant puzzle, a riddle posed by someone even higher powers, a puzzle waiting to be deciphered. And the reward for whoever finds the solution, is to ascend to a level of awareness above the gods themselves. No information instead for the members, the organization, which places the order attended. The book contains the dissolution order dating it about 500 years ago, before the birth of the factions, but no mention of the reason why the order was dissolved. For the planar travelers had only to continue their mission, trying to understand how the shadow of iron could be connected with this mysterious and ancient coven. "

- taken from" Memoirs of Shannok order after the fall of my son, "Abel Pledisis