responsibility to citizen Three videos have been screened in the evening dedicated to the third meeting of the series "Cinema and Architecture," for better definition of the three documentaries a great figure, a complex and multifaceted personality, the intellectual architect Giancarlo De Carlo .
The speakers of the evening, Monica and Antonio Troisi Mazzolani have decided to rely directly and completely the video because, as you said the same Mazzolani Monica, "said De Carlo is very complicated," and the best thing is to give voice to the great architect, directly. In fact, constant, documentaries, is the presence of De Carlo who speaks and explains the ups and downs that have accompanied him in his architectural research, through the long excursus of his career.
The speakers of the evening, Monica and Antonio Troisi Mazzolani have decided to rely directly and completely the video because, as you said the same Mazzolani Monica, "said De Carlo is very complicated," and the best thing is to give voice to the great architect, directly. In fact, constant, documentaries, is the presence of De Carlo who speaks and explains the ups and downs that have accompanied him in his architectural research, through the long excursus of his career.
And so, in the first, in an 'interview at the Beaubourg, 
De Carlo tells his origins, childhood spent in Genoa, the youth in Tunis on his return to Italy in 1937 and the choice to perform a specific job in a tragic period, that of war. In the video De Carlo continued with the report of the forties which date back to the first contacts with Milan anti-fascism, enrollment at the Polytechnic of Milan, the Navy and, after the war, membership of groups of anarchists and Berneri Zechariah and Woodcock , Read, Richards. Here are the stories about the fifties in which De Carlo began her professional career and his long relationship with Carlo Bo and the city of Urbino and fits into the group of "Friends of Bocca di Magra (Vittorio Sereni, Giovanni Pinto, Giulio Einaudi, Marguerite Duras, Franco Fortini, Albe Steiner, Elio Vittorini, who is writing "The cities of the world," writes Italo Calvino "Invisible Cities"). The video continues with an overview of explanations about the architect of its major architectural works completed in Urbino, the Faculty of Education (1968-76), the faculty of Economics (1986-89), the residences of the University.
In the second video, De Carlo's attention turns to the enunciation of his vision of architecture, linked to deep love for this craft, which he considers "a job like any other, but that it must necessarily correspond to the ideas, the needs of people who use it. " On that approach, the importance that De Carlo relies on citizen participation the process of creating 
of civil architecture, as revealed plans for the restructuring of the city of Terni, for which De Carlo decided to engage directly with the workers and those for the construction of affordable housing Mazzorbo, where the fishermen were interviewed , listening to their needs and their needs. After describing several other projects including the hospital in Mirano, the Faculty of Letters of Catania, the promenade of Lido di Venezia, in the video De Carlo says that the architect's role is "to create communication between people" and, in referring to the project on the restructuring of a district of Beirut, appeals to the need to look at architecture multiforme, in view of an increasingly multi-ethnic.
De Carlo tells his origins, childhood spent in Genoa, the youth in Tunis on his return to Italy in 1937 and the choice to perform a specific job in a tragic period, that of war. In the video De Carlo continued with the report of the forties which date back to the first contacts with Milan anti-fascism, enrollment at the Polytechnic of Milan, the Navy and, after the war, membership of groups of anarchists and Berneri Zechariah and Woodcock , Read, Richards. Here are the stories about the fifties in which De Carlo began her professional career and his long relationship with Carlo Bo and the city of Urbino and fits into the group of "Friends of Bocca di Magra (Vittorio Sereni, Giovanni Pinto, Giulio Einaudi, Marguerite Duras, Franco Fortini, Albe Steiner, Elio Vittorini, who is writing "The cities of the world," writes Italo Calvino "Invisible Cities"). The video continues with an overview of explanations about the architect of its major architectural works completed in Urbino, the Faculty of Education (1968-76), the faculty of Economics (1986-89), the residences of the University. 
In the second video, De Carlo's attention turns to the enunciation of his vision of architecture, linked to deep love for this craft, which he considers "a job like any other, but that it must necessarily correspond to the ideas, the needs of people who use it. " On that approach, the importance that De Carlo relies on citizen participation the process of creating 
of civil architecture, as revealed plans for the restructuring of the city of Terni, for which De Carlo decided to engage directly with the workers and those for the construction of affordable housing Mazzorbo, where the fishermen were interviewed , listening to their needs and their needs. After describing several other projects including the hospital in Mirano, the Faculty of Letters of Catania, the promenade of Lido di Venezia, in the video De Carlo says that the architect's role is "to create communication between people" and, in referring to the project on the restructuring of a district of Beirut, appeals to the need to look at architecture multiforme, in view of an increasingly multi-ethnic. 
The third and last video, a short film created by De Carlo for the Triennial of 1954, deals with ironic and provocative, the theme of the condition of public space and problems with which daily faces. With this video, De Carlo, wanted to launch a kind of appeal to the people, inviting them to move to change and improve the city.
Giancarlo De Carlo, then looks at architecture as a social fact, which is certainly the responsibility of the architect, but also and above all, citizen at the center of architectural debate. And on the architectural debate De Carlo has high hopes: "architecture," he says, "can make kites that are reference points to create images, ideas and future."
A future more livable and scope of human needs.
Giancarlo De Carlo, then looks at architecture as a social fact, which is certainly the responsibility of the architect, but also and above all, citizen at the center of architectural debate. And on the architectural debate De Carlo has high hopes: "architecture," he says, "can make kites that are reference points to create images, ideas and future."
A future more livable and scope of human needs.
to see the full version of the video of the evening, go to the following link: http://www.youtube.com/user/Ordinevarese
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