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" ARCHITECTURE & DRILLING "

More than a conference front, the evening organized by the Young Architects Group, Monday, December 20, it is configured as a dialogue, a sort of conversation between the artist Frank Cucci and art criticism Erika La Rosa, conversation, to which were added at the end of the evening, some members of the public, intervened with questions addressed to the artist. The artist moved by the invitation and appreciation in recognition of his work as a teacher, he begins by thanking his former students now architects and professionals of this Order.
to clarify the title of the evening "Architecture & drilling, was the same artist. For "drilling" he means the preliminary operation is accomplished by probing a land to verify the adequacy of the structure built with the project. Dr. Erika La Rosa, with a series of images illustrates the artist's works, "works that defy any definition, but still represent the best of his poetry." Among these, Erika La Rosa shows works outside, outdoor (including those made at the Palazzo della Triennale, the Sforzesco Castle, the Abbey of Ganna), the inside works (such as those created in the room frescoes Umanitaria , Milan and at the Rivoli Theatre in Mazara del Vallo), the sculptures, composed of geometry and intersecting planes, elements that can be viewed as a whole or individually, ceramics, paintings , the work of design and the graphics . The different media are used by the artist, all based on research that concerns the area, more specifically, the empty space. "Emptiness is a living element, is not a limit but an opportunity," says Cucci. "My role," he says, is "to organize the space, or to structure it, organize it in terms of historical and geographical." "In this sense, the stronger the link between art and architecture," says Cucci, "The work of the artist and architect in the same manner to appropriate of space, both the structure, control it, today, the use of non-stereotypical ways, freed from rhetoric and free from the old Cartesian references, opens new horizons in which all artistic experiences come together. "
"The works of Francis, in respect of an organization Geo / Metric, seem to grow indefinitely," said Erika La Rosa.
A multifaceted artist and innovator who, by careful research, pursue and develop a thorough historical path and culture.
"We artists are filters only, seismometers sensitive to the evolution of man and his thought. The architecture is no stranger to the operation / process " Cucci said.
For him all the materials are just a means of expression. It is an indiscriminate use by the arc of a poor wood raw land, from time to acrylic, from cartoons to the baked clay from the plastic panels to neon lamps.
In his installations Cucci enters and physically through his work, establishing a dialectical relationship of spatial apperception. With the use of neon lighting to create spaces and perspectives.
Erika La Rosa shows the basic elements of the search for Gucci: "geometry, understood in the archaic which invention of the human mind created to navigate, has the task of giving a shape and dimension to creativity."
deconstructivist theories of Jacques Derrida, from which to draw, are the key elements of "see new" architectural thought and beyond. Fascinating dialogue
Art / Architecture, three hundred and sixty degrees, which involved those present in a warm climate of participation among the public, an artist and works beyond expectations.
Anyone wishing to visit the exhibition could, until late January, travel to the seat of the Order of Architects Varese, Via Grado 4, during office hours.

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Week 57 & 58: Winner / Winner

Dear friends here we are! A bit 'late, but here we are! Let's go in order.

For the week 57 "Red & Purple", pairing is not so easy, we really liked the interpretation of Mary :

For the week 58 "Birds & Feathers", we want to reward the newcomer SARA , with its romantic setting:

Dear friends, feel the air of celebration? We take the usual winter holidays and wish you

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" POSTCARDS FROM THE NETHERLANDS: COR Geluk, David Keuning

With the conference Thursday, Dec. 9, it was concluded the series of events dedicated to the interchange between Dutch architecture and architecture Italian. To close the initiative has been a columnist, David Keuning and a landscape architect / urban planner Cor Geluk .
During the first operation, conducted by David Keuning was tackled a subject so-called "cross" on a channel of communication for architecture can be a fundamental means. This is the magazine "Mark", published by the same Keuning. Founded in 2005, the magazine covers topics that relate to issues of architecture and interior design . During these five years, the magazine were also published 16 projects submitted by Italian Keuning with a quick succession of images. Among these projects are only two famous architects-Zaha Hadid and Massimiliano Fuksas, "says the speaker," others are less known, more niche, but very interesting for us. "
" In any case, "says Keuning," we were surprised that in five years only 16 projects have been published in Italian. "There are two cases according the publisher of this gap: first, the lack of publishers, sources of assistance that could indicate architectural interest in Italy and, second, poor or ineffective given by the Italians of their works to the magazine.
short, accountability is the publishers that to architects. But to try to improve the situation, concludes his Keuning interevento proposing some key points to better communicate to the public on its project: First you need to think about which media is better to put the project (local magazine, journal .. ) and what type of target face, we must then proceed to send a report in light style, with important data and photographs of excellent quality, it is essential not to the exclusivity and not expect at all costs to launch a scoop and Finally, you must use all the media you have available. From publishing
planning, the word goes to Cor Geluk : his speech opens with an unusual tribute to the Italians, appreciated by the draftsman had sent to the Dutch how to live well, enjoying the little everyday joys. The action then turns on an issue far more seriously, the Netherlands: country built below sea level, the Netherlands has always forced its inhabitants to have to adapt to its territorial and develop in them a great sense of 'organization and inspired many artists, including Mondrian.
After this introduction, explaining some Geluk proceeds on projects. The first relates to the revaluation of an area previously used for military exercises: in doing so, his team decided to concentrate in smaller areas of land and create underground car parks with the intent to leave the most space to nature. Interesting in this project, the involvement of customers: all future residents, in fact, decided, with the assistance of architects, such as building his house, with the only constraint of having to ask your future neighbors and the approval of the project. "With this in mind we have made to converge to the wishes of the people in the architecture," says Geluk then outlining a plan for a park at the entrance to the highway that connects Amsterdam to Paris: "to achieve it, we had to think about the move ' Highway below ground was a challenge for us, but we did. "
Finally, Geluk illustrates the 'last project for the Philips headquarters in Eindhoven, built as a kind of campus with open spaces, several meeting rooms and a huge parking area with walls covered with plants. "A place with a mark socially interesting" says Geluk, "with areas that facilitate the meeting and which are completely surrounded by nature."
Again, as in many other projects described during the five lectures, nature becomes an integral part of Dutch architecture, unique element that the architect, in Holland, can not and does not want to ignore. The exchange Italy-Holland and it was concluded, but the load of stimuli that has left behind, the wealth of ideas from which to draw new ideas, is certainly not to be underestimated, but to get the best, holding to account, with care, just like the "postcards from Holland."

Interview with Cor Geluk and David Keuning


To see the video of the evening, go to the following link
http://www.youtube.com/user/Ordinevarese?feature = mhum

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"POSTCARDS FROM THE NETHERLANDS: Giuseppe Scaglione, Filip Geerts

Despite the catastrophic snow and weather reports, the series "Postcards from the Netherlands' Order of Architects Varese continued as planned. Wednesday, December 1, Giuseppe Scaglione and Filip Geerts directly from Trento and the Netherlands, have conducted an evening dedicated to a double view on the situation of architecture in Italy and the history of planning in the Netherlands.
Opening the conference was Scaglione, engaged since 1985 in projects that refer to the relationship between architecture and urbanism . And the comparison between urban planning and architecture marked the beginning of 'intervention the professor who, perhaps even provocative tone, said that, ultimately, the most interesting things produced in Italy do not come "by exegetes of architecture, but as an offshoot of architecture and urbanism." If architecture is still very much tied to the "Beaux Artes", and then undertook to study the form and composition, said Scaglione, urban planning, are confronted with issues such as the transformation of the cruel city, is a true work in progress .
And, speaking of the city transformed, Scaglione has been shown to present the destruction of the suburbs of some Italian cities, with images of important photographers : photos taken from the outskirts of Milan, Gabriele Basilico, rather than those which immortalize Armin Linke Naples, showed "disturbing episodes of the Italian way", the work of architects who have worked senseless without thinking of the future cities, coming to destroy their identity. In contrast, Scaglione said it was essential in a good city plan, "taking into account all the changes, identifying the steps of continuity and contiguity". The design of any element in the city, must be sensitive to the context. In particular, Scaglione examines the infrastructure, which too often have "hurt the landscape, without producing any osmotic relationship with the territory. In this regard, the professor presented a project he's working on the transformation of 'A22 . "We are working to change the skin of this motorway," says Scaglione and to do that, "we are taking into account the role that these facilities have in the future." First, many schemes have been carried out to understand how the highway is part of the territory, so it was decided to design new interactive platforms that not only take account of resting places for the drivers, hotels, restaurants, car parks to provide side public transportation into the city more environmentally friendly. The barriers were designed by the team Scaglione function as photovoltaics and identification features of the highway, especially since screenprinted Reil and the guard made with a natural material, Corten. The project is an example dell'Ausotrada A22, according to the bands, as it should be a good design, sensitive to the landscape and context and, above all, communicated in an appropriate manner, because, as the professor said, "you need to know good experiences, to expose themselves and sometimes, even for questioning. "
After Scaglione, intervention of Filip Geerts has emerged as a kind of overview on the history of planning in the Netherlands introduced by a quotation from "Travelogues" De Amicis (late nineteenth century) which is well summed up the whole speech. "Who looks for the first time a map of Holland is surprised that a country so there can be: it seems is to disintegrate at any moment." The Dutch territory, so hostile to the presence of man from the Netherlands suggest that the name may derive from the word "hell", hell, always has been, for Dutch architects and planners, an element of challenge, to be tamed.
For seven hundred years the Dutch have had to adapt and fight against the sea, by whatever means were available. It 'was the particular shape of the Netherlands to lead to the creation of another concept, that of " Ramstad," for which the city, the Netherlands, has never conceived as a nucleus in its own right, but it is an integral part of a system of cities linked together as a sort of network.
urban level, there is then, in Dutch, a term " Maakbaarhed" that sums up the concept of "build," intended both as a concrete way to turn ideas into reality, both as an ideological concept.
In his overview, Geerts focuses on two historical dates, 1901 and 1941, two key moments in the history of Dutch urban planning.
In 1901, when the law was adopted on cohousing and is made with the closure of the Zuiderzee dam 35 km into the sea, Lely Plan designed by architects and planners come into close relationship with each other to completely redesign the country.
And in 1941, the year of the bombing of Rotterdam and period of great destruction caused by the war, Holland is forced to rethink and redesign many cities. Among these, Rotterdam will be rebuilt in '44 by the work of Van Traa, and Amsterdam will see many architects, including Lely, discuss to find solutions best.
geography, history and territorial structure of Holland were the factors with which, again, Dutch architects and designers have had to face, reaching extreme solutions such as the polder, and often arrive at solutions that perfectly combine the poiesis and pragmatic plan of "Maakbaarhed.

Interview with Giuseppe Scaglione


Interview with Filip Geerts

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Week 58: Feather & Bird!

And this week faccciamo "fly" our imagination! We use real feathers, fake birds, cages, something light!

Our interpretations

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23 - The jagged realm

Wodan rotated until the cosmolabio from the bowels of the huge tangle of metal ball bearings and toothed wheels did not emerge the architecture of the ethereal plane. He watched the elemental planes vortex scattering bits of matter in the fog, while the radiation of the two opposing energy plans sewed those pieces to form half-planes of all sorts, which slowly disappeared in the milky haze.

" Maelost , the jagged realm ... the realm of black ... - Muttered. - Generated thousands of years ago from the mind of an ambitious group of shadows. " Kerter lowered his head for a few seconds. Wodan had increased its dimensions become nearly ten meters high. The head of the deity with long silver hair brushed the domed ceiling of the hall of cosmolabio, but that will Wodan could easily manipulate the whole approach, looking at every moment anything that happened in the multiverse. The planar traveler took off his glasses and polished them with a strip of the jacket, then returned to rest the lens on its pointed ears. "Why is it important Maelost, sir?" Churches. In the hand holding one of the many evolution planar volumes that were carefully preserved in the library of Eclipse. He had tried for a few hours to make sense of the presence of a group of adventurers on that half of the table, but no confluence of events had produced results that would help to have an answer.

"Why is not the answer, little mortal. - Answered Wodan, who by then had them read the thought - Maelost is only one step, and the stairs leading to the release of Shannok is still long and winding. The fate of many mortals weave trying to make sense of and explanation for these events, but most of your minds is only capable of depleting the moltezza that artificial reduction of the roads really possible. "With a stroke of his hand, shook his Wodan metallic structure of cosmolabio, which leaped and spun with creaking under each of the rings and bearings that composed it. Maelost appeared in front of his nose, emerging from the clouds ethereal. One button power black globe, surrounded by lightning, rain and darkness.

"Creatures of Valgoss Maelost will be a valuable ally - went on the power - but it is still difficult to predict how they will affect their fate in the plots of the order, even for a goddess like me. Probably other immortals are involved, and their peer interfere with ours. This affair threatens to shake the big wheel from its very roots, and although no god directly interfere with what happens, you probably have many interests that the future instead of taking a path another one. "Wodan's fingers grabbed the ball maelost. The god closed her eyes. They came into his mind the image of Abraxas and Celeborn who survived the crash with a fierce Slayith , leaving the body in the cave of another wanderer glide. Then she came to the village of Aml , where they were mistaken for divine emissaries. The chief of the tribe, the shaman Zephiel , and his son Rather, invited them to help one of their men, Brindel, to overcome the ritual to become Guest. A new ally joined them, a half-orc cleric motivated by noble intentions. Zephiel said that only the host, an oracle in communion with the god of the worms, could answer their questions on the shadow of iron, which apparently was spreading even to the realm of jagged. Wodan saw them walk into a cognate of the beholder revived by a pillar of energy necrotic wound, save and retrieve the scepter of Brindel Valgoss, the artifact through which you can melt your body with that of worms Maelost. Abraxas we failed, capturing the thoughts of the worms had come into possession of all the information that they had collected Valgoss the shadow of iron. "It moves creeping from floor to floor, as if longing to expand." Wodan commented. The half-elf wrote down everything in a notebook. "Sir, do you think they will find a way to stop it?" Asked Kerter. "The way is already there. These mortals are not the only ones who are moving to prevent the shadow of iron devour every ambition in the external plans. "

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LUCA MOLINARI

The future in our present
artistic frame for a conference on architecture, the Museum of Contemporary Art Maga , Tuesday 16 November hosted a large group of architects and interested, I ran as a de Magri to listen to the curator of the Italian Pavilion of the 12th Biennial Venice Architecture: Luca Molinari.
In exactly one hour, the young architect has captured the attention of those present, explaining all the salient points of his plan, called staging, idea-generating the final message.
The conference opened with a clarification on the name first coined by curator of the pavilion, " Ailati " derived from reading, on the contrary, the word "Italy", this term encompasses the idea of \u200b\u200bgiving brief, contemporary architecture, a new reading, watching through an original look, side-to side, just to catch with more rigor- wisdom and reflections from the future that reality sends us.
The speech is then moved on'' construction, designed in harmony with the basic concept of the exhibition, that is the representation of past, present and future of Italian architecture.
"For the creation was not touched any wall," says Molinari, "and has been used only a material, megapan, all for dell'allestimento zero impact on the viewer and to allow people to move easily and to come together. "
Molinari then continued with a clear statement of his curatorial concept, born of a precise account of Italian architecture, which "suffers from a strong amnesia of the present, along with a great fear of the future."

From this reflection comes the division of the hall into three sections.
The first " Amnesia in the present. Italy 1990-2010" is a budget Italian architecture of the last two decades designed to offer an understanding of our present more careful and conscientious, a report obtained through interviews and 450 images.
The middle section of the exhibition, "Laboratory Italy" is dedicated to the present with works made in recent years for a glimpse of what real quality is built in Italy and the types of experiments being carried out . The works are divided into 10 subject areas for a country in search of new identities and solutions: Designing supportive residential below 1000 € per square meter, what to do with seized property from the mafia, Emergency landscape spaces for communities, new public spaces, Rethinking city, Archetype / prototype, Work in progress, clutches.
" Italy 2050, the third and final part of the exhibition is a dialogue with Wired, the respected Italian magazine devoted to big ideas and technologies that change the world for this section have been questioned 14 people, amongst scientists, thinkers, film makers, the fate of "producers of the future" that brought the keywords for the next decades of our country, then visually interpreted by many designers. in almost t'ultima section, arranged in a plane elevated above the floor of the Hall and connected to it through several ramps (one for each theme), are universal themes emerged that led architects to deal with elements involving all of humanity.
"With this project," says Molinari, "I suggested some ideas and send out signals to reflect on the past, to show the world that Italy will make things interesting and to allow architects to rediscover the joy of experimentation. In Italy Needless to things that are still there and the future, after all, is built from the present. "

to see the full version of the video, via the following link: http://www.youtube.com/user/Ordinevarese?feature=mhum

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MAGA TO TRAVEL IN TUSCANY

MAREMMA
(Diary of a study trip in the new land projects wine)
The journey is the shorter. The theme of the goal, winning even if a bit 'underestimated by most, but worth a little sacrifice to see and touch the wine last structures built by some of the so-called "superstars" of the moment in the best period of postvendemmia. It is not easy
venture with a large and modern buses in the winding streets of the Maremma, but for this research first, and then the location of the various works becomes enthusiasm and pleasure. Before our eyes, we are gradually succeeding images of daring achievements, respect, different from one another by shape, style and economic engagement.
This short travelogue describing them so briefly, but perhaps part.
Friday, October 22, late morning. We arrived late around Bolgheri (place of memory Carducci) Ca Marcanda company owned by Gaia Piedmont and designed by Bo. Large complex and carefully camouflaged in full respect of the Tuscan landscape. Almost entirely filled and covered with natural grass, trees and local species. The good part is proposed in the emerging local stone and the loading and unloading area is protected by a complex canopy of iron and copper. Art and architecture merge into a site with a sense of balance between productivity and the environment. ( Camouflage )
After tasting duties and welcome greetings Angelo Gaia, we head Suvereto, reaching Cellars Petra (architect Botta ) in a late afternoon light and temperature ideals. The structure, huge and majestic, there looms wedged between land, vineyards and olive trees. The visit accompanied by a bright and enthusiastic young winemaker. In its complex prefabricated structure (the owner is the prefabrication of Franciacorta Moretti) everything is made with simplicity and grandeur sending strong oni emotional sensations in the gallery of the barrel. We admire the fruit of all this technology and sensitivity. ( Monumental ).
A charming inn in Grosseto, a restful night in a great hotel in the center and we are ready to face a new important day of sightseeing.
The first appointment is at the Company Via Colle Massari Montecucco wine called. Twisted streets, beautiful landscapes, and finally in the distance beyond the 'object' already stored by the magazines. To the surprise awaits us place the designer architect Milesi. His description, accompanying her on the places that he thought confirm its deep knowledge and passion for the job. We follow a carefully guided tour of pure rationalism, premium materials, advanced equipment, respect for nature committed admire a colleague who has found the satisfaction of a correct result of international economic opportunities fostered by the great reviews, the Bertarelli the "Alinghi" (Milesi .. mata )
fascinated by so much passion, comforted by tasting and world class hospitality, we take advantage of and accept the invitation to visit Milesi, unscheduled, its jewel far: The Monastery cirtencense of SCLO. In a remote corner of Maremma, in a dominant position discover, ecstatic, a world of silence, reflection, prayer and work which the skilful hand of the architect is combining with the landscape, environment and history.
The day of visits ended with the arrival, not without some problems roadway, the large complex of Frassinello Rocca di Renzo Piano . The image, from a distance, a red tower and modern re-evaluated as a symbol of presence, a prelude to a strong mark in the architectural landscape of the Maremma. A wall (the fort), a plate (the parade) and the tower, along with a lot of technology systems and structural surround a barrel-shaped theater as much imaginative As impressive, in the sign of true style "Piano". transpires from all major economic power, supported by foreign capital (Rothschild) and the intention expressed to produce wine of high quality and price. ( Majestic )
return in Grosseto to enjoy the beautiful autumn evening and discover a walled town, live as if it were a very popular artificial city. The streets, all pedestrian, the Square, the Cathedral, City Hall, the hotel, facing each other, are concentrated and lived in a simple organism almost drawn from the imagination of a child.
last day in good weather there on a tour of the farm "Pieve old "to Campagnatico . We expect the designer and some representatives of the Order of Grosseto.
emotion of the young designer Sartori Arch (supported in the final phase of work by a qualified Cini Boeri) in presenting his work, reveal a different reality than admired in the days before. The work is more limited budget clearly lower, but all the action is still oriented towards the search for new forms and functions with the typical dynamics of this amazing area of \u200b\u200bMaremma. (Moderate ).
The conclusion at the table at "the inn wisteria" Campagnatico (owned by the consortium Pieve Vecchia Eng. Monks) taught by a talented and charming sommelier, only confirms these feelings in fact the best. Arch
Adriano Veronesi

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Week 57: Red and Purple!

Retro Square Red & Purple - Cuff
Originally uploaded by Triz Designs

A combination of strong colors, fanciful, fashionable, happy! Red and Viola and 'the theme of this week. Let us be inspired!

Here are our interpretations

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Week 56: Winner / Winner

Stamps, drawings, embossing, digital ... have used different techniques to show us your trees, congratulations! Here Examples:

order: Hazel , Jeanette and Sandra .

We decided to reward the original idea of \u200b\u200b Chiara_Francy .

Thanks to all for participating!

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DUTCH STUDY PROJECTS IN ITALY-Part II

Starring the third night of the series "Postcards from the Netherlands, Henk Dutch architects and Ronald Hartzema Schleurholts at the conference described their main projects, with particular emphasis on those made in Italy.
First to tell his story, Henk Hartzema immediately opened the discussion by describing the project in Seregno: it is the market square, for which the Dutch architect wanted to emphasize the concept of emptiness, creating a space that was as open as possible. To achieve this goal, the plaza level has been lowered by 30 cm and reorganized the space around a structure that has no real function, but to emphasize the emptiness around it.
The importance of the urban space has in the career Hartzema fact that enriched his speech addressing three main themes. The roads, first, considered the architect as "the veins of the body city," Hartzema are the element that organizes the space of the city and our perception. Rigorous avenues of Turin, the winding streets of Toledo, until the Dutch, built under sea \u200b\u200blevel and surrounded by greenery, the streets are the elements that more than anything else make up the identity of a city, making it unique and different from others. The road, according to the rapporteur, said the individual's relationship with society: in the Netherlands if the large windows of the houses, often without tents, directly facing the road, what signs of a society very open to the outside, without much fears, in Italy the garden or the entrance that separates the houses from the street reflects an area of \u200b\u200bdefense by the city.
Hatzema's speech concludes with a reflection on the perception of space, for which the architect plays a crucial role: it has the task of giving shape and change the reality that reflect aspects of behavior, feelings and desires of society.
The word then goes on to Ronald Schleurholts, partner, along with two other architects Cepezed, a company that for decades lived in Delft. The architect describes the key points that guide projects Cepezed enclosed, in short, the word sustainability.
For Innovation Zentrum fur Informatik, Berlin, for example, the company has decided to make use of physics to reduce dependency on electricity supply, creating a structure that, like a chimney, allowing cold air to come down and all 'hot air to rise. An element featuring Cepezed is also the renewal of old buildings. One of the most significant, in that sense, the Dutch Embassy in Rome: from a villa of the early twentieth century, the Schleurholts team has developed a restructuring and expansion while taking into account the previous construction, without upsetting radical and conserving the contrary, the elements that could be useful. According to this logic, therefore, the corridors were eliminated for having a central space on each floor, the staircase has been moved from inside to outside to let in more light and has an adjoining building that creates a relationship of harmony, contrast with the existing villa. Compared
for nature, but also respect for the existing architecture: these objectives have always marked the work of Cepezed, careful not to interfere and to respect what already exists, which has a historical, civil, human.

to see the full version of the video, go to the following link: http://www.youtube.com/user/Ordinevarese?feature=mhum

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DUTCH PROJECTS IN ITALY

Interchange
After the introductory evening of October 26, Wednesday, Nov. 3, the speakers Matteo Bettoni, Maurice Nio and Boris are Zeisser entered the heart of the issue that will run all the conferences of the series "Postcards from the Netherlands": job opportunities for the Italian architects in the Netherlands and the Dutch architect's plans in Italy.
Example of young Italian who moved to Holland at the moment, Matteo Bettoni introduced the evening by describing his personal experience and citing numerous young talents who, like him, have had great opportunities in Holland. All this without forgetting the great names of architects who have left important contributions in the Netherlands, as Massimiliano Fuksas, Gio Ponti, Aldo Rossi, Alessandro Mendini and Renzo Piano. "From the Nineties to now we have seen a great exchange between the Netherlands and Italy, "said the young architect, referring in particular to nuerosi young Italians who have had the opportunity to work with OMA, the firm founded by Rem Koolhas: of these, Bettoni cites Mauro Parravicini, Andrea Berti, Maurizio Scarciglia, Cristina Cassandra Murphy, architects born between 1975 and 1980-so-young that previous experience with AOM, were able to get great ideas translated and, in some cases, in practice, the Italian proposal. The same Mateo, Holland has had the opportunity to browse through studies (Group A, Van Egeraat Erc and KCAP) ee is now following a project in Italy for the Milano Fiori area.
From the experiences of Italians in the Netherlands, the evening then turns to projects of the Dutch in the Bel Paese: to start is the architect Maurice Nio, which demonstrates the great extension project for the Museo Pecci in Prato, the competition for the "Door of Milan Malpensa, the project for the station in Orissa. For each project, explains the idea Nio generations, often or taken from the natural world, the problems encountered during construction, the timing too often dilated. Projects that the architect, a priori, considered "missions impossible", but now, as he says, made him very popular, perhaps more than in Italy and the Netherlands.

To conclude the evening is the architect Zeisser outlining an overview of his career, through the plans he made in Sweden, Holland, Thailand and of course in Italy at Monza. For the Italian project, consisting of four residential buildings, Zeisser pours his antics, that is, to re-create natural effects in the architectural details. In this case, the effect is to recreate the fall of the leaves, for which he has faced and overcome many obstacles with the client. "An interesting experience at Monza," says Zeisser, "but very complicated." The fundamental problem, according to the architect, is "r Iusco to relate on a cultural level, with customers and with the team, because if you stay only on u level n Technically, the project is rarely understood. "" If you can engage the customer and explain the history of the project is done, "says the architect," if not the project is reduced to be only a formal, nothing more " . A relationship of love and hate, because of numerous problems, but also great satisfaction, therefore, characterized the experiences of the two Dutch architects in Italy, eseperienze that raise important issues and that will be of great help for those who, in the future as it is will relate with foreign architects.

To see the complete video of the evening, go to the following link
http://www.youtube.com/user/Ordinevarese?feature=mhum