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DUTCH PROJECTS IN ITALY

Interchange
After the introductory evening of October 26, Wednesday, Nov. 3, the speakers Matteo Bettoni, Maurice Nio and Boris are Zeisser entered the heart of the issue that will run all the conferences of the series "Postcards from the Netherlands": job opportunities for the Italian architects in the Netherlands and the Dutch architect's plans in Italy.
Example of young Italian who moved to Holland at the moment, Matteo Bettoni introduced the evening by describing his personal experience and citing numerous young talents who, like him, have had great opportunities in Holland. All this without forgetting the great names of architects who have left important contributions in the Netherlands, as Massimiliano Fuksas, Gio Ponti, Aldo Rossi, Alessandro Mendini and Renzo Piano. "From the Nineties to now we have seen a great exchange between the Netherlands and Italy, "said the young architect, referring in particular to nuerosi young Italians who have had the opportunity to work with OMA, the firm founded by Rem Koolhas: of these, Bettoni cites Mauro Parravicini, Andrea Berti, Maurizio Scarciglia, Cristina Cassandra Murphy, architects born between 1975 and 1980-so-young that previous experience with AOM, were able to get great ideas translated and, in some cases, in practice, the Italian proposal. The same Mateo, Holland has had the opportunity to browse through studies (Group A, Van Egeraat Erc and KCAP) ee is now following a project in Italy for the Milano Fiori area.
From the experiences of Italians in the Netherlands, the evening then turns to projects of the Dutch in the Bel Paese: to start is the architect Maurice Nio, which demonstrates the great extension project for the Museo Pecci in Prato, the competition for the "Door of Milan Malpensa, the project for the station in Orissa. For each project, explains the idea Nio generations, often or taken from the natural world, the problems encountered during construction, the timing too often dilated. Projects that the architect, a priori, considered "missions impossible", but now, as he says, made him very popular, perhaps more than in Italy and the Netherlands.

To conclude the evening is the architect Zeisser outlining an overview of his career, through the plans he made in Sweden, Holland, Thailand and of course in Italy at Monza. For the Italian project, consisting of four residential buildings, Zeisser pours his antics, that is, to re-create natural effects in the architectural details. In this case, the effect is to recreate the fall of the leaves, for which he has faced and overcome many obstacles with the client. "An interesting experience at Monza," says Zeisser, "but very complicated." The fundamental problem, according to the architect, is "r Iusco to relate on a cultural level, with customers and with the team, because if you stay only on u level n Technically, the project is rarely understood. "" If you can engage the customer and explain the history of the project is done, "says the architect," if not the project is reduced to be only a formal, nothing more " . A relationship of love and hate, because of numerous problems, but also great satisfaction, therefore, characterized the experiences of the two Dutch architects in Italy, eseperienze that raise important issues and that will be of great help for those who, in the future as it is will relate with foreign architects.

To see the complete video of the evening, go to the following link
http://www.youtube.com/user/Ordinevarese?feature=mhum