The future in our present artistic frame for a conference on architecture, the Museum of Contemporary Art Maga , Tuesday 16 November hosted a large group of architects and interested, I ran as a de Magri to listen to the curator of the Italian Pavilion of the 12th Biennial Venice Architecture: Luca Molinari.
In exactly one hour, the young architect has captured the attention of those present, explaining all the salient points of his plan, called staging, idea-generating the final message.
The conference opened with a clarification on the name first coined by
curator of the pavilion, " Ailati " derived from reading, on the contrary, the word "Italy", this term encompasses the idea of \u200b\u200bgiving brief, contemporary architecture, a new reading, watching through an original look, side-to side, just to catch with more rigor- wisdom and reflections from the future that reality sends us. The speech is then moved on'' construction, designed in harmony with the basic concept of the exhibition, that is the representation of past, present and future of Italian architecture.
"For the creation was not touched any
wall," says Molinari, "and has been used only a material, megapan, all for dell'allestimento zero impact on the viewer and to allow people to move easily and to come together. "Molinari then continued with a clear statement of his curatorial concept, born of a precise account of Italian architecture, which "suffers from a strong amnesia of the present, along with a great fear of the future."
From this reflection comes the division of the hall into three sections.
The first " Amnesia in the present. Italy 1990-2010" is a
budget Italian architecture of the last two decades designed to offer an understanding of our present more careful and conscientious, a report obtained through interviews and 450 images.
The middle section of the exhibition, "Laboratory Italy" is dedicated to the present with works made in recent years for a glimpse of what real quality is built in Italy and the types of experiments being carried out . The works are divided into 10 subject areas for a country in search of new identities and solutions: Designing supportive residential below 1000 € per square meter, what to do with seized property from the mafia, Emergency landscape spaces for communities, new public spaces, Rethinking city, Archetype / prototype, Work in progress, clutches.
" Italy 2050, the third and final part of the exhibition is a dialogue with Wired, the respected Italian magazine devoted to big ideas and technologies that change the world for this section have been questioned 14 people, amongst scientists, thinkers, film makers, the fate of "producers of the future" that brought the keywords for the next decades of our country, then visually interpreted by many designers. in almost
t'ultima section, arranged in a plane elevated above the floor of the Hall and connected to it through several ramps (one for each theme), are universal themes emerged that led architects to deal with elements involving all of humanity.
"With this project," says Molinari, "I suggested some ideas and send out signals to reflect on the past, to show the world that Italy will make things interesting and to allow architects to rediscover the joy of experimentation. In Italy Needless to things that are still there and the future, after all, is built from the present. "
The first " Amnesia in the present. Italy 1990-2010" is a
budget Italian architecture of the last two decades designed to offer an understanding of our present more careful and conscientious, a report obtained through interviews and 450 images. The middle section of the exhibition, "Laboratory Italy" is dedicated to the present with works made in recent years for a glimpse of what real quality is built in Italy and the types of experiments being carried out . The works are divided into 10 subject areas for a country in search of new identities and solutions: Designing supportive residential below 1000 € per square meter, what to do with seized property from the mafia, Emergency landscape spaces for communities, new public spaces, Rethinking city, Archetype / prototype, Work in progress, clutches.
" Italy 2050, the third and final part of the exhibition is a dialogue with Wired, the respected Italian magazine devoted to big ideas and technologies that change the world for this section have been questioned 14 people, amongst scientists, thinkers, film makers, the fate of "producers of the future" that brought the keywords for the next decades of our country, then visually interpreted by many designers. in almost
t'ultima section, arranged in a plane elevated above the floor of the Hall and connected to it through several ramps (one for each theme), are universal themes emerged that led architects to deal with elements involving all of humanity. "With this project," says Molinari, "I suggested some ideas and send out signals to reflect on the past, to show the world that Italy will make things interesting and to allow architects to rediscover the joy of experimentation. In Italy Needless to things that are still there and the future, after all, is built from the present. "
to see the full version of the video, via the following link: http://www.youtube.com/user/Ordinevarese?feature=mhum
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